Academy Awards for 1980By Patrick Mondout
The 53rd Annual Academy Awards were hosted by Johnny Carson
on March 31, 1981 (moved back a day due to Reagan assasination attempt)
at the Dorothy Chandler Pavillion (Los Angeles) and broadcast live on ABC.
Ordinary People was the big
winner garnering four Oscars including Best Picture, Best Director (Robert
Redford), and Supporting Actor (Timothy Hutton).
The show began with a videotaped message President Reagan. It had been
recorded a week earlier in the Oval Office to celebrate his ascension from
actor to the presidency (if that can still be considered an ascension).
While hosting the ceremonies for a second straight year, host Carson
wished Reagan a speedy recovery, but got everyone in good spirits by
calling the recent demand for cuts in aid to the arts "Reagan's
strongest attack on the arts since he signed with Warner Brothers."
Note: All nominees are listed and
denotes the Oscar winner.
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| BEST PICTURE |
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Coal
Miner's Daughter, Bernard Schwartz, producer |
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Elephant
Man, Jonathan Sanger, producer |
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Ordinary
People, Ronald L. Schwary, producer |
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Raging
Bull, Irwin Winkler and Robert Chartoff, producers |
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Tess, Claude
Berri, producer; Timothy Burrill, co-producer |
 |
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| BEST WRITING
(SCREENPLAY WRITTEN DIRECTLY FOR THE SCREEN) |
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W. D. Richter, screenplay; W. D.
Richter and Arthur Ross, story, Brubaker |
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Christopher Gore, Fame |
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Bo Goldman, Melvin
and Howard |
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Jean Gruault, Mon Oncle D'Amerique |
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Nancy Meyers, Charles Shyer and
Harvey Miller, Private Benjamin |
 |
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| BEST WRITING
(SCREENPLAY BASED ON MATERIAL FROM ANOTHER MEDIUM) |
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Jonathan Hardy, David Stevens and
Bruce Beresford, Breaker Morant |
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Tom Rickman, Coal
Miner's Daughter |
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Christopher DeVore, Eric Bergren and
David Lynch, Elephant Man |
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Alvin Sargent, Ordinary
People |
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Lawrence B. Marcus and Richard Rush,
The Stunt Man |
 |
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| BEST ART
DIRECTION/SET DIRECTION |
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John W. Corso, art direction; John
M. Dwyer, set decoration, Coal
Miner's Daughter |
| |
Stuart Craig and Bob Cartwright, art
direction; Hugh Scaife, set decoration, Elephant
Man |
| |
Norman Reynolds, Leslie Dilley,
Harry Lange and Alan Tomkins, art direction; Michael Ford,
setdecoration, The Empire Strikes
Back |
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Pierre Guffroy and Jack Stephens,
art direction, Tess |
| |
Yoshiro Muraki, art direction, Kagemusha
(The Shadow Warrior) |
 |
| |
| BEST SOUND |
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Arthur Piantadosi, Les Fresholtz,
Michael Minkler and Willie D. Burton, Altered
States |
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Richard Portman, Roger Heman and Jim
Alexander, Coal Miner's Daughter |
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Bill Varney, Steve Maslow, Gregg
Landaker and Peter Sutton, The
Empire Strikes Back |
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Michael J. Kohut, Aaron Rochin, Jay
M. Harding and Chris Newman, Fame |
| |
Donald O. Mitchell, Bill Nicholson,
David J. Kimball and Les Lazarowitz, Raging
Bull |
 |
| |
| BEST SOUND
(ORIGINAL SONG) |
| |
“People Alone,” The
Competition, Lalo Schifrin, music; Wilbur Jennings, lyrics |
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“Fame,” Fame,
Michael Gore, music; Dean Pitchford, lyrics |
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“Out Here on My Own,” Fame,
Michael Gore, music; Lesley Gore, lyrics |
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“On the Road Again,” Honeysuckle
Rose, Willie Nelson, music and lyrics |
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“Nine to Five,” Nine
to Five, Dolly Parton, music and lyrics |
 |
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| BEST SHORT FILMS
(ANIMATED) |
| |
All Nothing (Frédéric Back,
producer; Société Radio Canada) |
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The Fly (Ferenc Rofusz, producer;
Pannonia Film) |
| |
History of the World in Three
Minutes Flat (Michael Mills, producer; Michael Mills Productions
Ltd.) |
 |
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| BEST SHORT FILMS
(LIVE ACTION) |
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A Jury of Her Peers (Sally Heckel,
producer; Sally Heckel Productions) |
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The Dollar Bottom (Rocking Horse
Films, Ltd.; Paramount) |
| |
Fall Line (Bob Carmichael and Greg
Lowe, producers; Sports Imagery, Inc.) |
 |
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| BEST DOCUMENTARY
(SHORT SUBJECTS) |
| |
Don't Mess With Bill (John Watson
and Pen Densham, producers; John Watson and Pen Densham's Insight
Productions Inc.) |
| |
The Eruption of Mount St. Helens
(George Casey, producer; Graphic Films Corporation) |
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It's the Same World (Dick Young,
producer; Dick Young Productions, Ltd.) |
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Karl Hess: Toward Liberty (Roland
Hallé and Peter W. Ladue, producers; Hallé/Ladue, Inc.) |
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Luther Metke at 94, U.C.L.A.
(Richard Hawkins and Jorge Preloran, producers; U.C.L.A.
Ethnographic Film Program) |
 |
| |
| BEST DOCUMENTARY
(FEATURES) |
| |
Agee (Ross Spears, producer; James
Agee Film Project) |
| |
The Day After Trinity (Jon Else,
producer; Jon Else Productions) |
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From Mao to Mozart: Isaac Stern in
China (Murray Lerner, producer; The Hopewell Foundation) |
| |
Front Line (David Bradbury,
producer; David Bradbury Productions) |
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The Yellow Star—The Persecution of
the Jews in Europe, 1933—45 (Bengt von zur Muehlen and Arthur
Cohn, producers; Chronos Film GmbH) |
 |
| |
| BEST FOREIGN
LANGUAGE FILM |
| |
Confidence, Hungary |
| |
Kagemusha
(The Shadow Warrior), Japan |
| |
The Last Metro, France |
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Moscow Does Not Believe in Tears,
U.S.S.R. |
| |
The Nest, Spain |
 |
Other Awards
A Special Achievement Award went to the visual effects crew (Brian
Johnson, Richard Edlund, Dennis Muren and Bruce Nicholson) of The
Empire Strikes Back. (A Visual Effects award was added for 1981.)
An honorary award was given to Henry Fonda "the consummate actor, in
recognition of his brilliant accomplishments and enduring contribution to
the art of motion pictures." Fred Hynes also received one "in
appreciation for outstanding service and dedication in upholding the high
standards of the Academy of Motion Picture Arts and Sciences."
Scientific and Technical Awards
Academy Award of Merit
Acme Tool and Manufacturing Company (Laboratory)
Linwood G. Dunn (Laboratory)
Cecil D. Love (Laboratory)
Scientific and Engineering Award
Dr. Werner Block (Lighting)
Filmline Corporation (Laboratory)
David A. Grafton (Lenses and Filters)
Edward B. Krause (Laboratory)
Dr. Bernhard Kuhl (Lighting)
Jean-Marie Lavalou (Camera Cranes)
Alain Masseron (Camera Cranes)
OSRAM GmbH (Lighting)
David Samuelson (Camera Cranes)
Samuelson Alga Cinema S.A. (Camera Cranes)
Samuelson Film Service, Limited (Camera Cranes)
Ross Taylor (Stage Operations)
Technical Achievement Award
Worth Baird (Projection)
Bell and Howell Company (Laboratory)
Carter Equipment Company, Inc. (Laboratory)
Cinetron Computer Systems, Incorporated (Systems)
Andre DeBrie S.A. (Laboratory)
Elicon (Photography)
Hollywood Film Company (Laboratory)
Walter Hrastnik (Laboratory)
John W. Lang (Laboratory)
LaVezzi Machine Works, Incorporated (Projection)
Eugene Nottingham (Systems)
Peter A. Regla (Photography)
Dan Slater (Photography)
Charles Vaughn (Systems)
Charles J. Watson (Laboratory)
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