By Kathleen C. Fennessy
Comparing Godspell to its near-contemporaries Jesus
Christ Superstar and Hair is unavoidable, but Godspell
has developed its own unique following. With their
thrift-store-meets-circus-performer garb, the characters in David Greene's
adaptation of the popular off-Broadway production may look more like the
hippies in Hair than the biblical personages of Superstar.
But Godspell isn't really about the "Age of Aquarius,"
nor does it adopt a dark or operatic tone towards its subject matter, the
Gospel according to Matthew. The mood is, instead, upbeat and uplifting
(at least until the crucifixion sequence).
The film opens with youthful city dwellers from various walks of life
dropping their activities to follow John the Baptist (David Haskell from
the original New York production). They sing ("Prepare Ye the Way of
the Lord") as he leads them into a fountain where they are
(metaphorically) baptized. There they meet Jesus (Victor Garber). Frizzy
hair and mime makeup aside, the handsome young Garber (Titanic, Annie)
is convincing in his film debut. Once baptized, they follow him around
various scenic New York locations, singing and acting out passages from
The largely unknown cast is talented and charismatic, but the film is
only fitfully engaging on an emotional level because only Jesus, John, and
Judas (Haskell again) emerge as distinct characters. Stephen Schwartz's
pleasing pop-rock score, however, helps to smooth over the rough spots,
and Robin Lamont's hit version of "Day by Day" remains a