Dog Day Afternoon By Jim Emerson
A gripping true crime yarn, a juicy slice of overheated New York
atmosphere, and a splendid showcase for its young actors, Dog Day
Afternoon is a minor classic of the 1970s. The opening montage of New
York street life (set to Elton
John's lazy "Amoreena") establishes the oppressive mood of a
scorching afternoon in the city with such immediacy that you can almost
smell the garbage baking in the sun and the water from the hydrants
evaporating from the sizzling pavement. Al Pacino plays Sonny, who, along
with his rather slow-witted accomplice Sal (John Cazale, familiar as
Pacino's Godfather brother
Fredo), holds hostages after a botched a bank robbery. Sonny finds himself
transformed into a rebel celebrity when his standoff with police
(including lead negotiator Charles Durning) is covered live on local
television. The movie doesn't appear to be about anything in particular,
but it really conveys the feel of wild and unpredictable events unfolding
before your eyes, and the whole picture is so convincing and involving
that you're glued to the screen. An Oscar winner for original screenplay, Dog
Day Afternoon was also nominated for best picture, actor, supporting
actor (Chris Sarandon, as a surprise figure from Sonny's past), editing,
and director (Sidney Lumet of Serpico,
Prince of the City, The
Verdict, and Running on Empty).
Academy Awards
Dog Day Afternoon received an Academy
Award for Writing (Best Original Screenplay; Frank Pierson). Dog Day Afternoon
also received Academy Awards nominations
for Best Picture (Martin Bregman - Producer, Martin Elfand - Producer),
Actor (Al Pacino), Supporting Actor (Chris Sarandon), Directing (Sidney
Lumet), and Film Editing (Dede Allen). |