Hogan's HeroesBy Robert Burns Neveldine/Tom Keough
Hogan's Heroes was a hit from the beginning of its televised
run, from the fall of 1965 through the spring of 1971. Two
years after 1963's The Great Escape thrilled movie audiences with a
tale of Allied soldiers working cooperatively to flee a World War II-era
prisoner-of-war camp, CBS found a hit situation comedy in the loosely
similar Hogan's Heroes.
Initially dismissed by critics as being in poor
taste, the half-hour show starred Bob Crane (previously known for a
supporting role on The Donna Reed Show) as Colonel Robert Hogan,
leader of a resourceful band of French, British and American guests of the
German Luftwaffe. Rather than sit out the war with his fellow captives,
Hogan essentially used the POW camp, Stalag 13, as a base for sabotaging
Nazi operations whenever possible, helping important prisoners escape,
supporting the Resistance, gathering intelligence for the Allies, and
generally screwing up enemy battlefield plans. The work was always
dangerous, but Hogan's crew had a number of advantages: a network of
underground tunnels beneath the camp (some leading to a nearby town), a
flair for disguises, the complementary talents of Hogan's key staff, and
the reliable idiocy of camp Commandant Klink (Werner Klemperer) and
willful ignorance of lead officer Sergeant Schultz (John Banner).
Season one of Hogan's Heroes found all of these elements
securely in place and the series balancing farce with suspense. Typical
storylines include "Hold the Tiger," in which the boys smuggle a
new German Tiger Tank into the camp, disassemble it to construct a
blueprint, and then reassemble it under Klink's nose. "The Prisoner's
Prisoner" finds Hogan kidnapping a Nazi general, sneaking him into
Stalag 13, and tricking him—a la Mission: Impossible--to reveal
troop plans. In "The Prince from the Phone Company," one of
Hogan's most-trusted confederates, radio operator Kinchloe (Ivan Dixon),
disguises himself as an African prince trying to secure money from the
Third Reich. Half the fun of these shows is watching Hogan thinking
quickly on his feet whenever things start to go wrong, or when one of
Klink's more intelligent superiors becomes suspicious that not everything
at Stalag 13 is as under control as it seems. Besides Dixon, the other
players making up Hogan's elite squad include Richard Dawson as the
slightly disreputable Newkirk (with a talent for thievery), Larry Hovis as
chemistry whiz Carter, and Robert Clary as the charming LeBeau.
All of the denizens of Stalag 13 are present and accounted for: the
smirking Colonel Robert Hogan (Bob Crane), commanding officer of the POWs;
his German counterpart, the ineffectual, easily flattered (and distracted)
Colonel Wilhelm Klink (Werner Klemperer, son of the famous conductor); the
bumbling, easily bribed Sergeant of the Guard Hans "I see
nussink!" Schultz (John Banner); and Hogan's multinational,
multi-ethnic group of heroes: Sergeant Ivan Kinchloe (Ivan Dixon),
American radio expert; Sergeant Andrew Carter (Larry Hovis), a dimwitted
American nevertheless good with munitions; Corporal Peter Newkirk (Richard
Dawson), a British pickpocket and vaudeville performer; and Corporal Louis
LeBeau (Robert Clary), a French cook and tailor. (In the pilot, we even
get a glimpse of a short-lived Russian character, Sam, whose tailoring
duties were taken over by LeBeau.) Filling the remaining American, German,
and British roles are a number of character actors, such as Leon Askin,
Howard Caine, Bernard Fox, and Sigrid Valdis (erstwhile wife of Crane, and
one of Klink's two voluptuous secretaries).
All the set props familiar to baby boomers--the tunnel entrance under
the cot, the coffee-pot tap into Klink's office, the hidden periscopes and
prisoner-friendly dogs--decorate a consistent narrative from episode to
episode: the heroes must pull off an operation that places them in danger,
return in time for roll call, and allow Hogan one final, wisecracking
conference with Klink. High points of these six shows include the abortive
replacement of Hogan by pompous Colonel Crittendon (Fox) and Hovis's
hilarious impersonation of Hitler. Although as thoroughly American as a
Mae West, Hogan's Heroes embodies the countercultural spirit of its
times, and wittily humanizes friends and foes alike.
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